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This Is Not My Home

by flood queen

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1.
Erica Street 01:57
Let these streets The ones named for better cities Stretch away to a restrained infinity And fill your lungs Until they're red and sticky With the fumes from the McCain's factory And die Die in Wendouree, die Die in Wendouree Scratch the surface And cause the houses no-one knows about To rise up from the dirt Stand on the corner and grow to full size In your faded Whitesnake t-shirt And die Die in Wendouree, die Die in Wendouree, die Die in Wendouree
2.
Unsealed bitumen crunching underfoot Everybody knows you're coming You are a dragon spitting thick black plumes And your eyes outsize your stomach Sliding doors part in terror Every shelf-stacker will know your wrath There aren't enough knights in plain clothes To ever block your path Don't count the cost Just survive Don't count the villagers Get by Sweep the aisles like a hurricane Take all you feel you're owed Lay waste to all who stand as guards Where the riches of ages are stowed When this world comes to its end The Lord will feed your hunger You were never one to wait for hand outs You sometimes plunder Don't count the cost Just survive Don't count the villagers Get by
3.
There's fresh cracks in the driveway concrete I can see through the kitchen door I stand and watch a car peel out As you collapse on the loungeroom floor And the Secret Life Of Us is on the television We're fifteen minutes from a police station And nobody will pay For what they've done today I can see the paint peeling on the place across the road That proves we're spitting distance from our childhood home And our mother couldn't hold me as tightly as you did As we racked with sobs like little kids And there's Machine Gun Fellatio on the micro system New bloodstains in the drive And neither of us Will make it out of this town alive
4.
Munich 02:12
I haven't seen you in a month I haven't seen the sun rise in a couple of weeks I sit by the window around seven every morning As the clouds suddenly illuminate the street I sit there most days till lunchtime To eavesdrop on the builders below Stare at the highlighted phrasebook pages And I listen out for words I know And I am waiting for the sun to set for good on Munich I haven't seen you in a month The sun doesn't rise here anymore The clouds glow with a soft, distant light And I can't tell what's behind it all I focus dim light on my noun chart But these compound words keep falling apart And I only know enough to know the builders Aren't talking about the weather anymore And I am waiting for the sun to set for good on Munich I am waiting for the sun to show itself for what it really is
5.
Gentle hum of the vending machine Or maybe the strip-lights overhead Bruised ribs aching as I shift on the sofa It's not as simple as alive or dead Crush a soda can in my free hand Scribble nonsense I won't remember Wander vacantly from room to room Hope my money lasts till December Close my eyes and try to sleep As late night traffic shakes the windows The background buzz inside my head Matched with the chatter of mosquitoes Don't acknowledge one another here Count out hours with my pacing Do almost anything I can to make money But never make conversation

about

This Is Not My Home: 5 songs about places I probably won't go back to, mostly in the postcode range 3350-3355.

Recorded on my phone in my flat. Releasing because I couldn't think of anything else to do with them and none of them work as poems. There's no more music in these songs than there's literature in a grocery list, but even a mediocre grocery list can be revealing when given up for inspection by its author.

credits

released August 18, 2020

Bridget Erin Flack - Words, about 6 or 7 chords, field recordings and found sound.

Ruby Burns - Mastering

Excerpts from "If You're So Clever Why Aren't You Rich" (Paul Shearer & Richard Turner); "Wendouree West: Postcode 3355" (The Age). Field recordings taken in and around Flemington.

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tags

about

flood queen Melbourne, Australia

Flood Queen was raised to believe that facile mimicry was the same thing as mastery. She knows the shape of two or three kinds of pop songs, and can convincingly reproduce them with something almost approaching confidence, if not quality or value.

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